{"id":909,"date":"2022-06-26T22:10:00","date_gmt":"2022-06-26T20:10:00","guid":{"rendered":"https:\/\/transculturailes.wordpress.com\/?p=909"},"modified":"2022-07-17T13:33:42","modified_gmt":"2022-07-17T11:33:42","slug":"du-visible-a-linvisible","status":"publish","type":"post","link":"https:\/\/aiep-transculturel.com\/transculturailes\/du-visible-a-linvisible\/","title":{"rendered":"Du visible \u00e0 l\u2019invisible"},"content":{"rendered":"\n

<\/p>\n\n\n\n

Le mois dernier, j\u2019ai eu la chance de visiter l\u2019exposition <\/a>\u00ab Sur la route des chefferies du Cameroun, du visible \u00e0 l\u2019invisible \u00bb au mus\u00e9e du quai Branly : une plong\u00e9e dans la r\u00e9gion des hauts plateaux des Grassfields, \u00e0 l’ouest du Cameroun.<\/p>\n\n\n\n

Reconnus, entre autres, pour produire des \u0153uvres d\u2019art remarquables et imposantes, les peuples des Grassfields sont organis\u00e9s autour de chefferies, gardiennes des traditions. D\u00e8s le d\u00e9but de l\u2019exposition, les portes de l\u2019entr\u00e9e d\u2019une chefferie traditionnelle nous invitent \u00e0 la rencontre du peuple Bamil\u00e9k\u00e9, de son histoire, de sa culture, de ses arts et de ses traditions. <\/p>\n\n\n\n

L\u2019exposition est d\u2019une beaut\u00e9 et d\u2019une sc\u00e9nographie qui nous entra\u00eenent dans une immersion totale ! Plusieurs halls se succ\u00e8dent et abordent diff\u00e9rentes th\u00e9matiques. En effet, l’art fait partie int\u00e9grante des pratiques sociales, culturelles et sacr\u00e9es de la soci\u00e9t\u00e9 Bamil\u00e9k\u00e9. Tout au long de l\u2019exposition, nous d\u00e9couvrons des productions artistiques traditionnelles et contemporaines : des cr\u00e9ations perl\u00e9es, des sculptures sur bois, des productions textiles, des danses traditionnelles. Des interviews de chefs (Fo) et de reines nous racontent les traditions et les croyances, comme le culte des anc\u00eatres et son rituel des cr\u00e2nes<\/a>. \u00c0 travers la description des soci\u00e9t\u00e9s secr\u00e8tes telles que le Kwo\u2019si, le Mandjong, le Kemdiye et le Kun\u2019gang, ce sont les pouvoirs de ces organisations coutumi\u00e8res qui sont valoris\u00e9s. <\/p>\n\n\n\n

Au total, ce sont 2000m\u00b2 d\u2019exposition qui nous r\u00e9v\u00e8lent un fondement culturel extr\u00eamement riche avec plus de 240 objets sacr\u00e9s, tous provenant du Cameroun. Cette exposition est doublement symbolique : pour la premi\u00e8re fois, un mus\u00e9e fran\u00e7ais a nomm\u00e9 un commissaire g\u00e9n\u00e9ral africain en la personne de Sylvain Djache Nzefa. Qui plus est, ce sont les chefferies elles-m\u00eames qui ont pr\u00eat\u00e9 les objets sacr\u00e9s au mus\u00e9e du quai Branly, dans un contexte sociopolitique o\u00f9 la question de la restitution des \u0153uvres d\u2019arts<\/a>, vol\u00e9es \u00e0 l\u2019Afrique pendant la p\u00e9riode coloniale, est au c\u0153ur des d\u00e9bats ces derni\u00e8res ann\u00e9es. On peut esp\u00e9rer que ce changement de paradigme  soit le d\u00e9but d\u2019une nouvelle collaboration entre les pays du Sud et du Nord, qui laisserait toute la place aux comp\u00e9tences et savoir-faire des pays du continent africain.<\/p>\n\n\n\n

Afin de pouvoir \u00eatre transport\u00e9s, certains objets ont subi ce qu’on appelle les rituels du d\u00e9part : des gardiens ont effectu\u00e9 des c\u00e9r\u00e9monies traditionnelles pour les d\u00e9charger de leur pouvoir sacr\u00e9, de fa\u00e7on provisoire. Ces c\u00e9r\u00e9monies sont extr\u00eamement importantes car ces objets, souvent per\u00e7us uniquement comme \u0153uvres d’art par l’\u0153il occidental, n’en restent pas moins sacr\u00e9s et sont encore aujourd\u2019hui utilis\u00e9s lors de c\u00e9r\u00e9monies et rites, symboles d\u2019un patrimoine vivant. Patrimoine qui relie le visible \u00e0 l\u2019invisible, les vivants aux anc\u00eatres. <\/p>\n\n\n\n

Et c\u2019est bien ce lien entre le monde visible et le monde invisible, fil rouge de l\u2019exposition, qui aura retenu toute mon attention. Ambiance cr\u00e9\u00e9e par la sc\u00e9nographie ou bien \u00e9nergies et vibrations particuli\u00e8res au sein de l\u2019exposition, j\u2019ai r\u00e9guli\u00e8rement \u00e9t\u00e9 amen\u00e9e \u00e0 me d\u00e9centrer et \u00e0 accueillir en moi une certaine \u00e9motion. J\u2019ai pu mesurer l’honneur qui nous a \u00e9t\u00e9 fait de nous donner l\u2019occasion de nous connecter \u00e0 ces objets. Il m\u2019est alors revenu en m\u00e9moire le message d\u2019un ami camerounais, re\u00e7u quelques jours avant la visite de l\u2019exposition : \u00ab Peut-\u00eatre tu trouveras quelques vestiges, si jamais les hommes ont voulu les faire voir, et \u00e0 toi de nous raconter ce que tes yeux ont dit \u00e0 ton c\u0153ur dans ce parcours. \u00bb Cette exposition a \u00e9t\u00e9 une v\u00e9ritable rencontre avec l\u2019autre, magnifique moment d\u2019alt\u00e9rit\u00e9.<\/p>\n\n\n\n

Julie<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Le mois dernier, j\u2019ai eu la chance de visiter l\u2019exposition \u00ab Sur la route des chefferies du Cameroun, du visible \u00e0 l\u2019invisible \u00bb au mus\u00e9e du quai Branly : une plong\u00e9e dans la r\u00e9gion des hauts plateaux des Grassfields, \u00e0 l’ouest du Cameroun. Reconnus, entre autres, pour produire des \u0153uvres d\u2019art remarquables et imposantes, les peuples des […]<\/p>\n","protected":false},"author":1,"featured_media":996,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[33,38,49,59,84,202,252,277],"class_list":["post-909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-julie","tag-ancetres","tag-art-africain","tag-bamileke","tag-chefferie","tag-croyance","tag-monde-invisible","tag-rites","tag-transculturel"],"yoast_head":"\nDu visible \u00e0 l\u2019invisible - Transculturailes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aiep-transculturel.com\/transculturailes\/du-visible-a-linvisible\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Du visible \u00e0 l\u2019invisible - Transculturailes\" \/>\n<meta property=\"og:description\" content=\"Le mois dernier, j\u2019ai eu la chance de visiter l\u2019exposition \u00ab Sur la route des chefferies du Cameroun, du visible \u00e0 l\u2019invisible \u00bb au mus\u00e9e du quai Branly : une plong\u00e9e dans la r\u00e9gion des hauts plateaux des Grassfields, \u00e0 l’ouest du Cameroun. 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